Higher resolution sensors tend to give higher sharpness measurements, while sensors with no OLPF give higher readings than those without. I recommend them all personally. Manual marvel: Samyang 24mm f/1.4Tested on the Sony Alpha 99, 1. In the meantime, we’ve included all the Pentax-compatible lenses DxOMark has tested, both full frame and APS-C, in the list to the right. Panasonic Leica DG 15mm f/1.7 Asph 1. 7. 7. The maximum aperture drops to a pretty slow F6.3 at the long end but it fits a lot of flexibility into a sensibly-sized package. Two highly regarded standard zooms, the 16-80mm f/3.5-4.5 and 16-50mm f/2.8, essentially tie with each other in terms of sharpness. While it’s no surprise to see a couple more Panasonic Leica-branded primes here, its cult classic 20mm f/1.7 pancake also makes an appearance. Best value: Tamron SP 35mm F1.8 Di VC USD. 3. Sigma 30mm f/2.8 DN Art Canon’s relatively inexpensive 35mm f/2 IS USM and 24mm f/2.8 IS USM make an appearance. Sigma 105mm f/2.8 EX DG OS Macro HSM 4. 6. Sigma 85mm f/1.4 EX DG HSM 2. All the data used for this article can be analysed in more detail on the DxOMark website at www.dxomark.com. The reason for this is essentially pragmatic; the DxO Analyser test software doesn’t understand the unique X-Trans colour filter array that Fujifilm uses in the majority of its cameras. The lighter weight and solid optical performance make it worth considering rather than 3rd-party F2.8 alternatives. Nikon's new entry-level mirrorless full-framer feels anything but entry-level. 7. Sony Vario Sonnar T* DT 16-80mm f/3.5-4.5 ZA It’s worth bearing in mind that even DxOMark’s database isn’t 100% comprehensive, and not all lenses have been tested on all cameras, including several recent third-party optics. Samyang’s 16mm f/2 wideangle prime and Canon’s inexpensive compact EF-S 24mm f/2.8 STM are the sharpest primes. 24-70 is a great focal range, and even at 38-115mm on a cropped sensor camera, it’s a very useful lens that can remain on your camera all day long. If you're a birder and need longer than 400mm, Canon's best ultratele for rational people is the new 400mm f/4 DO IS II because it's small enough and light enough for hand-holding and for carrying around all day. Sony’s FE range for its full-frame Alpha 7 mirrorless cameras is less than three years old, but it’s starting to fill out nicely. Extending from the usefully wide-angle 24mm out into the portrait-friendly mid-telephoto region at 105mm, it makes a solid 'whatever happens' lens. DxOMark hasn’t tested any of Fujifilm’s X-system lenses to date. Money no object: Canon EF 85mm F1.4L IS USM. I use the Canon 24-70/2.8 L II; it's the world's sharpest midrange zoom. What’s your budget? Pentax HD DA 35mm f/2.8 Macro Limited The only Canon 50mm to avoid is the 50mm f/1.4 USM. It focuses fast enough for sports shooting and offers a classic, flexible telephoto range. As a result, there are some exceptionally sharp lenses available, benefiting from all the latest advances in optical design. Our list of the sharpest lenses under £2,000 is headed by the manual-focus Zeiss 135mm f/2, while Canon’s own top-ranking optic is the stellar, but pricey, EF 35mm f/1.4L II USM. Samyang 16mm f/2 ED AS UMC CS So, after all this, what have we learned? 3. The Tamron is unusual in being able to offer the semi-wide to long tele range of 28-300mm. Zeiss Batis 85mm f/1.8 We've selected seven cameras ranging from compacts to full-frame, all of which are easy to operate. Sigma 35mm f/1.4 DG HSM Art It's Canon's softest 50mm lens. 2. We look at memory card speeds and the fastest memory card…, Which are the best compact cameras on the market right now? The Canon 100mm F2.8 Macro is an update to what was already considered a classic lens. Adorama pays top dollar for your used gear. 2. The list of sharpest lenses reflects this, with plenty of Pentax’s compact DA-series primes included. This may seem surprising, but to a great extent it reflects the fact that while older lenses tend to be less sharp wide open, the difference is less marked when they’re stopped down to their sharpest apertures. Also on the rarefied list of premium ultra-sharp optics are Canon’s 600mm f/4 and 400mm f/2.8 telephotos, and Zeiss’s ultra-premium Otus 55mm f/1.4 and 85mm f/1.4 – none of which counts as affordable. 3. £10,000 in prizes to be…, We round up the best travel compact cameras for currently available on the market, covering everything from budget tough cameras to advanced compacts, Full-frame DSLRs offer the very best in image quality, but which one is best suited to you? I usually use my 50mm f/1.8 STM because it's so good and so small, and only use my 50mm f/1.2 L when I know I'll be working indoors or in low light. I won't carry my 16-35 and 24-70 at the same time because I'm duplicating the 24-35mm range. Tamron AF 17-50mm f/2.8 Di II XR VC LD Top of the list is the exceptional Sony 90mm f/2.8 Macro, which is one of the very sharpest lenses we’ve ever tested. Samyang 24mm f/1.4 ED AS UMC And it may well be the model best positioned to convert remaining F-mount holdouts to Z-mount. AF-S Nikkor 85mm f/1.4G Sigma 60mm f/2.8 DN Art If you've gotten your gear through one of my links or helped otherwise, you're family. Wide-angle lenses are often useful for taking photos of interiors, landscapes and architecture. The original 50mm f/1.8, newer 50mm f/1.8 II and newest 50mm f/1.8 STM are all excellent, as well as inexpensive and lightweight. Sony 100mm /2.8 Macro Zeiss Distagon 25mm f/2 ZF.2 If you find my work here helpful, my biggest source of support for this ad-free website is when you use any of these links to approved sources when you get anything, regardless of the country in which you live. Your chance to enter the UK’s newest competition for budding amateur filmmakers. 5. 3. 3. Naturally, buying a sharper lens is still only part of the story, and won’t get you better pictures without learning and applying good photographic technique. Sigma 35mm F1.4 Art DG HSM Lens for Canon, Black, 3.7 x... International Version, Sony Alpha Cameras, Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Canon, Sigma 24-70mm f/2.8 DG OS HSM Art Lens for Nikon F. Canon EF 70-200mm f/4L IS II USM Lens for Canon Digital... Venus Optics brings its Laowa 9mm T2.9, 12mm T2.9 and 15mm T2.1 cine primes to Canon RF mount, Canon EOS Rebel T8i (850D) sample gallery, Canon announces the EOS C70, a Cinema EOS camera in a mirrorless body, Canon announces next generation IVY CLIQ cameras with built-in printers, DPReview TV: Sigma 70mm F2.8 Macro Art lens review, Sigma 85mm F1.4 DG HSM Art for Sony E-mount sample gallery, Sigma 14mm F1.8, 135mm F1.8, and 70mm F2.8 macro Art lenses for Sony E-Mount now shipping, DPReview TV: Tamron 70-210mm F4 vs. Canon and Nikon OEM lenses, Fujifilm XF 50mm F1.0 R WR sample gallery (DPReview TV), Fujifilm Instax Square SQ1 review: simple square-format fun, Sony a7C initial review: Compact size, big sensor image quality, The best lenses for Sony mirrorless cameras. Canon's 16-35mm F4 IS is a fairly bright, optically reliable wide-angle zoom. There are plenty of choices of other focal lengths available for full-frame Canon, but unless you have a specific use in mind, the 35mm F1.4 makes a great all-rounder. Thank you! My personal favorite as a go-anywhere, do everything lens for Canon's crop-sensor cameras is the Canon 18-135mm STM We got our hands on the brand new Instax SQ1: an easy-to-use instant camera that shoots square format film. DxOMark hasn’t, at the time of writing, published lens test results using the full-frame Pentax K-1. Sigma 18-35mm f/1.8 DC HSM Art Sony's a7C is among the smallest full-frame mirrorless cameras you can buy, and in terms of core capability, not much has been sacrificed for the sake of compactness. 8. I've also mentioned the best lenses for Canon's cropped-sensor cameras where you can save some money with the smaller EF-s lenses. What's the best camera for travel? Thankfully Canon now makes two really sharp ultrawides, and that's it. If I carry my 16-35, I'll bring a fixed 50mm and my telephoto. For this reason, we’ve teamed up with DxOMark, one of the most respected names in the photographic industry, to sift through its extensive database of lens-test data in order to pick out the sharpest optics for each major camera system. 7. Olympus M.Zuiko Digital ED 75mm f/1.8 Best value: Tamron 28-300mm F3.5-6.3 Di VC PZD. Tamron's 35mm F1.8 gives up a little bit of low-light performance, compared with the Sigma F1.4 but it's smaller, less expensive and adds image stabilization, so it's still pretty handy. Fixed focal lenghth lens. 7. Because of this, it’s still possible for enthusiast photographers to get excellent results from some comparatively inexpensive primes. The two lenses below it offer the distinction of being the fastest image-stabilised lenses in the system, and both the 35mm f/1.8 OSS and 50mm f/1.8 OSS are quite affordable, too, at around £320 and £200 respectively. This week, we shoot the new Tamron 70-210mm F4 alongside the equivalent Canon and Nikon models to see how they stack up. Meanwhile, Zeiss’s autofocus Batis and manual-focus Loxia ranges both feature premium optics. Getting yourself in a memory card muddle and not sure which card to buy? 4. For Canon APS-C cameras, don't use these full-frame ultrawides. 1. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier. The Hybrid IS system is designed specifically to correct for the kinds of motion that can plague macro photography, making it a useful additional to an optically excellent lens. Find out how it stacks up in our initial review. AF-S Nikkor 24mm f/1.8G ED Sigma 30mm f/1.4 DC DN C Its performance and build quality are as impressive as that demands. Sigma 19mm f/2.8 EX DN 2. Tamron SP 24-70mm f/2.8 Di USD Tamron also gets in on the game with its somewhat underrated 60mm f/2 Macro, which can double up nicely as a portrait lens, and its own 17-50mm f/2.8 image-stabilised zoom, which is a close match to the Sigma. 4. As for how its other lenses behave on full frame, we’ll just have to wait and see. 8. It's fast, solidly-built and well-respected for its image quality. And, while image stabilization won’t prevent your subject from moving, it can help maximize shooting opportunities in borderline situations as well as letting you shoot with longer shutter speeds. That's why many landscape pros used to use adapters to use the fantastic Nikon 14-24mm on their Canon cameras. Sony FE 90mm f/2.8 Macro G OSS The 24-105/4 L IS and the inexpensive new 24-105mm STM are also good, if you don't mind the added distortion. These are the best for Canon's full-frame cameras, and of course work on the cropped-sensor cameras. It’s a pretty substantial lens, but well worth the weight. This week on DPReview TV, Chris and Jordan test Sigma's latest macro lens, the 70mm F2.8 DG Macro Art. The stabilized version of Canon's 70-200mm F4 L offers an excellent balance of size, price and image quality. Find out why they like it in this uniquely Canadian presentation. Sony’s attention may have switched more towards its E-mount Alpha 7 series over the past couple of years, but the A-mount system it originally inherited from Minolta is still very much supported, with a decent native lens range and plenty of third-party options, too. It's astonishingly sharp even at wide apertures. Canon EF-S 60mm f/2.8 Macro Sigma 60mm f/2.8 DN Art Pentax has easily the most comprehensive lens range tailored specifically for APS-C DSLRs, but it also has the least support from third-party makers, with neither Tamron nor Tokina manufacturing K-mount versions of its lenses. 10. Looking at lenses specifically designed for the smaller DX sensor, we see Sigma taking three of the four top spots. Super sharp: Canon 35mm f/1.4 II USMTested on the Canon EOS 5DS R. It should come as no great surprise to learn that the sharpest lens DxOMark has tested on the EOS 5DS R is a premium telephoto prime, the Canon EF 300mm f/2.8L IS II USM. All these cost £2,700 or more, so are unlikely to find their way into many amateurs’ kit bags. Without a doubt the canon L lens. When you're shooting hand held in the dark, you really need a deeper depth of field since simply breathing will move you or your subject out of focus. Olympus M.Zuiko Digital ED 12mm f/2. I own an original 300mm f/2.8 L, on which I can use my 1.4x and 2x extenders with excellent sharpness and autofocus speed, but my fast 300mm is so big and heavy I don't use it because I don't want to have to carry it. Sony DT 35mm f/1.8 SAM Zeiss Apo Sonnar T* 135mm f/2 ZF The 100-400 II focuses ultra-fast, and focuses super-fast even with my 1.4x II teleconverter, bringing it to 560mm. 2. Sony FE Zeiss Distagon T* 35mm f/1.4 ZA 10. While image quality doesn't match the impeccable standards of Sigma's prime / fixed focal length 'Art' lenses, it's still very good, and costs less than Canon's own take on this workhorse lens type. For Canon's APS-C cameras , there are additionally many EF-s lenses that only work on these cameras. Sigma 30mm f/1.4 DC DN Contemporary 10. 8. 4) Canon RF lenses only fit Canon's full frame mirrorless cameras like the EOS R, EOS RP, EOS R5 and EOS R6. have had to take, feel free to help me continue helping everyone. For each of the categories below the winner is the lens which we find to offer the best combination of quality and value. You're in luck: the new Canon 100-400mm L IS II replaces a macro lens and all previous 70-200mm and 70-300mm zooms, all in one lens. Looking at Alpha-mount lenses designed specifically for APS-C cameras, Sony’s budget range of SAM primes perform really rather well. Here Sigma tops the list with its impressive 18-35mm f/1.8. Tamron SP 70-200mm f/2.8 Di VC USD Likewise, most mirrorless systems have compact fast primes that are a real step up from kit zooms. Of course you're welcome to get serious and get the 400mm f/2.8, 500mm f/4, 600mm f/4 — or the 800mm f/5.6 which is the world's best birding lens. The addition of image stabilization makes it easy to shoot a variety of wide-angle subjects, particularly in lower light. However, it follows that if any given lens produces good results on, for example, Canon full-frame models, it should give equally good results on Nikon, Pentax or Sony full-frame cameras. Note that Canon EF-S are not compatible with the cameras mentioned on the first page of this guide, which include any EOS 1D, 5D or 6D model.. For each of the categories below the winner is the lens which we find to … Sigma 30mm f/1.4 EX DC HSM Art Nikon AF-S DX Nikkor 35mm f/1.8G, Great macro: Pentax 35mm f/2.8 MacroTested on the Pentax K-3. 5. You never need or want to cover every millimeter when selecting zooms. Sony Zeiss Planar 85mm f/1.4 ZA My personal favorite as a go-anywhere, do everything lens for Canon's crop-sensor cameras is the Canon 18-135mm STM. Sony’s APS-C E-mount lens range may not be the largest but it covers all the main bases and includes a good selection of high-quality small primes. However, it’s clear that the Pentax 15-30mm f/2.8 and 24-70mm f/2.8 zooms are strongly related to Tamron designs that test very well on other full-frame cameras, so the omens are very good for these. In this buying guide we've rounded-up several great cameras for travel and recommended the best. The Canon EF 85mm f/1.4L IS USM lens slots into Canon’s range of fast medium telephoto primes between the EF 85mm f/1.8 USM (£325), and EF 85mm f/1.2 L II USM (£1765). 2. 9. Best zoom: Tamron SP 70-200mm f/2.8Tested on the Canon EOS 5DS R, 1. For Canon's APS-C cameras, there are additionally many EF-s lenses that only work on these cameras. All content, design, and layout are Copyright © 1998 - 2020 Digital Photography Review All Rights Reserved. It’s also a question that needs to be qualified. It helps me keep adding to this free website — but I receive nothing for these efforts if you take the chance of buying elsewhere. However, some of the firm’s more recent lenses, including the highly regarded 40-150mm f/2.8 PRO, haven’t yet been tested by DxOMark. It includes updates to Panasonic's DFD autofocus system, creative photo modes, and video features that come close to matching the more expensive S1H. Best lenses for Canon full-frame DSLRs. With all this in mind, we decided to provide some kind of sensible answer anyway. The 24-105mm F4 strikes a nice balance, though. Sigma 35mm f/1.4 DG HSM Art This new 100-400 focuses much more closely than any pro 70-200mm or 70-300mm lens, and zooms all the way to 400mm. Sigma 24mm f/1.4 DG HSM Art, Fast fast zoom: Sigma 18-35mm f/1.8 ArtTested on the Nikon D7100. The 50mm scores especially highly, but the 35mm, 20mm and 24mm also perform very well. It’s worth noting that some additional stars in terms of value are the sub-£100 EF 50mm f/1.8 STM and the £149 EF 40mm f/2.8 STM, even if they don’t quite make the top-ten list. Of these, the 12mm f/2 wideangle and 50mm f/2 1:1 macro have no direct equivalent from Fujifilm itself. I can't vouch for ads below. 10. These are Canon's best lenses. When it comes to choosing the very sharpest lenses for Micro Four Thirds, two specialist portrait primes top the pile. Tamron SP AF 60mm f/2 Di II LD IF Macro 9. If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. Most of Canon's ultrawide lenses aren't very sharp if you're counting pixels. Fujifilm’s lens range is extensive and unusually coherent; indeed it’s probably the best thought-through of all APS-C systems. Prime lenses are just a single focal length; removing the complexity of a zoom often allows for these lenses to be smaller, lighter and sharper, while letting more light through and being more useful in dimly lit situations. 8. We’ve analysed DxOMark’s sharpness scores for each major camera system to see which lenses come out on top. Sony E 50mm f/1.8 OSS The latest 16-35mm F2.8 from Canon is one of the best wide-angle zooms in the world. Zeiss Batis 25mm f/2 We list some of the best smartphone accessories on the market right now. Zeiss Loxia 21mm f/2.8 4. Canon EF-S 17-55mm f/2.8 IS USM, Best wide: Nikon 24mm f/1.8G EDTested on the Nikon D810. Some people will choose the Canon 85mm F1.4 over the Sigma because they want to stay on-brand, while other people will appreciate that it’s a touch smaller and lighter. Panasonic Leica Summilux DG 25mm f/1.4 2. 4. These huge ultrateles work great with converters, but these lenses are so big that it's not fun to carry them. The shorter 100mm and 50mm macro lenses require you to get so close for really tight crops that you may block your own lighting. The lenses are of generally very high optical quality, too. Sony FE 28mm f/2 If you've got a bit more to spend on a 35mm lens, the latest version of Canon's F1.4 is simply superlative optically, and is extremely well built to boot. This classic is ultrasharp and ultratough. If you need to shoot objects smaller than 3 x 5" (75 x 125mm), then get serious and get the Canon 180mm Macro. My 100-400 II works great with the 1.4x to go to 560mm with fast autofocus, but will not autofocus with the 2x extender at all. We've been shooting with our copy for several weeks now - see how it stacks up in our sample gallery. Right in the middle: Tamron SP 90mm F2.8 Di VC USD 1:1 Macro. 4. Tamron SP 35mm f/1.8 Di VC USD 4. Thanks for helping me help you! It's an extraordinary lens. We’d expect it to compete very closely with the Panasonic 35-100mm f/2.8 OIS for sharpness, which is the only zoom on this list. Portrait magic: Sony 85mm f/1.4Tested on the Sony Alpha 99. 6. I support my growing family through this website, as crazy as it might seem. It should come as no great surprise to learn that the sharpest lens DxOMark has tested on the EOS 5DS R is a premium telephoto prime, the Canon EF 300mm f/2.8L IS II USM. 1. The 55mm f/1.8 that follows it is barely less impressive. The top-placed zoom here is the somewhat video-focused 18-105mm f/4 powerzoom, although its range makes it an interesting option for stills photographers, too. This can still give extremely useful results, but it does have its caveats. 4. Tamron’s recent SP 35mm f/1.8 Di VC USD also makes the list alongside some nice Nikkor primes, in the shape of the 85mm f/1.4 and the relatively affordable 24mm f/1.8. In summary, the Canon EF 24-70mm f/2.8 L II is one of the sharpest lenses I’ve ever used. Turning our attention to zooms, the Tamron SP 70-200mm f/2.8 Di VC USD edges ahead of Canon’s EF 70-200mm f/2.8L IS II USM. 6. 8. Ideally you want to leave a gap of 50-100% from one to the next to avoid carrying too much. And while the premium 24-70mm f/2.8 G Master optic only comes in tenth, this simply reflects the excellence of the other lenses. The 70-200mm F2.8 L III is another of Canon's workhorse lenses used and trusted by professionals across the world. Buy only from the approved sources I use myself for the best prices, service, return policies and selection. 9. In addition, we’ve only included lenses that are available for sale as new. The Sigma 85mm F1.4 Art is one of the best lenses available for any system. Macro lenses allow you to focus very close to small subjects, which is very handy for photographing flowers or bugs. Sigma 30mm f/1.4 DC HSM Art The Panasonic Lumix DC-S5 is a full-frame mirrorless camera but in a body smaller than the Micro Four Thirds GH5. We consult DxOMark’s comprehensive optical test data to find the sharpest lenses for each camera system. However, standard and wideangle zooms aren’t well represented, with Sigma’s impressive 24-35mm f/2 DG HSM Art being the strongest.
Premiere Place Mots Fléchés,
Mardi Et Jeudi Fou,
Le Flaveur Valence,
Hommage Samuel Paty Horaires,
Comparateur Camping Var,
Colis De Noël Mairie D'avignon,
Hébergement Isola 2000 Pas Cher,
Blablacar Covoiturage Réservation,
Prix Lieu Noir Intermarché,
Personnage De Film Dessin Animé,
Technique Du Cubisme,